Showing posts with label Roy Scheider. Show all posts
Showing posts with label Roy Scheider. Show all posts

Wednesday, March 3, 2010

All That Jazz

It's Showtime!

I love an autobiographical film where the star passes away. Just what does Bob Fosse want us to know about himself? Director/writer/choreographer Bob Fosse tells his "life story" in this film. Roy Scheider stars as Joe Gideon. Gideon is a Broadway director/choreographer, film director/editor and world class jerk. He drinks, does drugs, cheats on his wife, works too much and generally is a bother to all around him. But Gideon, like Bob Fosse, is an unbelievable talent. So everyone puts up with his faults to be around his star quality and talent. Eventually, as in all good fables, his life comes crashing down and the "piper must be paid". Jessica Lange portrays Angelique. Her character has been called both the 'Angel of Death' and the 'Angel of Life'. I guess it depends upon your perspective.


This movie is a masterpiece and should be required viewing for every film student on Earth. Fosse directs and choreographs musical numbers like no one else. He forgoes the quick cut and the close-up. Instead he allows us to view the entire number, usually from a small distance and always cutting with the music not just to make another cut. Would someone please tell MTV and every other director/editor that we can enjoy a scene without 3 cuts per second. Our attention span isn't that small! The dance numbers are vintage Fosse. The 'air-otica' sequence was "borrowed" by Paula Abdul (she would call it a tribute) and other scenes have been copied by Beyonce and others. But it is the opening sequence, with its hundreds of dancers in an open casting call, that shows the ability of Fosse. He tells the entire story of 'A Chorus Line' in 8 minutes. Beautifully set to George Benson's 'On Broadway' we can feel the tension, disappointment and exhilaration of the dancers as they attempt to get a job with a legend.

Along with the music/dance numbers is a terrific script, co-written by Fosse and Robert Alan Arthur. The story of Gideon's lack of respect, for both others and himself, is a descent into death. Gideon's constant flirting with the Angel of Death shows his desire to end his failures. Roy Scheider as Gideon is terrific. Originally Fosse had cast Richard Dreyfus, but Dreyfus couldn't handle the job. Scheider was then thrust into the film well into rehearsals. His portrayal of the addict/womanizer is compelling. Lange is also terrific as Angelique. Her constant "flirty" attitude as she attempts to lure Gideon to his death is spot-on. Sandahl Bergman, as the lead dancer in the air-otica scene, and Ann Reinking, as Gideon's love interest, are both eye catchers.


I am not a big fan of musicals. The bursting into song strikes me as odd. But in All That Jazz I find myself glued to the screen. Combine a story about a Broadway musical director and the unmatched choreography of Bob Fosse and I watch again and again. As I said in an earlier post, how this film lost the Best Picture Oscar to 'Kramer vs. Kramer' is unbelievable. That should be a plot on the X-Files it is so alien and absurd.

This movie is fantastic and should be seen by everyone! The dancing, acting, script, direction, soundtrack and impact are all amazing.

A note about Bob Fosse: Fosse holds the "trifecta" of directing awards. He is the only person to win a Best Director Oscar, for 'Cabaret', Tony, for 'Pippin', and Emmy, for 'Liza with a Z'. No other human being has won all three awards and Fosse did it in the same year! He may have been a workaholic, but at least it was good work.

Filmed in 1979, directed by Bob Fosse, written by Fosse and Robert Alan Arthur, starring Roy Scheider, Jessica Lange, Ann Reinking, Leland Palmer, Sandhal Bergman and Ben Vereen.

Friday, November 20, 2009

Wages of Fear/Sorcerer


This is a special day. Everyone gets two great movies for the price of one! Wages of Fear and Sorcerer. They are both the story of 4 men, on the run from their past, trying to escape their current desperation. They each decide to take a high-paying, life-threatening job driving nitroglycerin across an unnamed South American country. An oil company is paying huge bonuses to anyone who can get the nitro through to put out an oil well fire. Of course, nitroglycerin is very dangerous and will explode when bumped, jostled or warmed. Who will survive the trip and what perils will they face along the way?

Both of these movies are intense! The pressure builds as our drivers face numerous obstacles on the road to fortune and personal salvation. Jungles, mountains, rivers, guerrillas, each other and their own demons must be vanquished if they are to survive.

Wages of Fear was directed by Henri-Georges Clouzot. Filmed in 3 languages so the best prints are subtitled. Stay away from the dubbed version. Clouzot's film is raw, gritty and superb. Yves Montand is fabulous as Mario. We don't know how he got into his personal hell, but he wants out. Clouzot allows the suspense to build until you almost want to scream. At one point I even covered my eyes and looked between my fingers. It's safer that way.

Sorcerer is William Friedkin's remake. He was fresh off The French Connection and The Exorcist so the studios gave him anything he wanted. It shows. Roy Scheider does a nice job reprising the Yves Montand role. Friedkin goes a little overboard in the first half, but the remainder of the film is just as intense as Wages of Fear. The shot of the trucks driving over rope bridges in a pouring rain is worth the price of admission. The Tangerine Dream soundtrack is quite wild.

Intensity builds to a big finish in both films. Similar in their story, each is a unique experience. Wages of Fear is more respected by critics, but both films deserve a viewing.

Wages of Fear was filmed in 1952, directed by Henri-Georges Clouzot, written by Clouzot and Jerome Geronimi, starring Yves Montand, Charles Vanel, Folco Lulli and Peter Van Eyck.

Sorcerer was filmed in 1977, directed by William Friedkin, written by Walon Green, starring Roy Scheider, Bruno Cremer, Francisco Rabal and Amidou. Both are based on the novel by Georges Arnaud.